A weekly feature in which we ask contemporary poets to share a poem and statement considering the influence of another art form.
June 19, 2015: Marcella Durand, Le Lait c’est bon
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June 13, 2015: Chia-Lun Chang, The accent is floating above the reading
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Jun. 5, 2015: Ali Power, Content is a Glimpse
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May 29, 2015: Oli Hazzard, from WITHIN HABIT
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May 21, 2015: Lara Mimosa Montes, The Charm of Chinese Roulette
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Apr. 29, 2015: Amanda Nadelberg, Linear Motor
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Apr. 7, 2015: Elizabeth Metzger, Small Talk with an Imagined Son
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Mar. 18, 2015: Todd Colby, Disastrous Consequences
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Mar. 2, 2015: Matt Longabucco, codeX feat. EB
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Feb. 16, 2015: Trace Peterson, THE VALLEYS ARE SO LUSH AND STEEP
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Feb. 9, 2015: Patricia Spears Jones, BELLE DE JOUR
Photo credit: Gabriel Padilha
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Feb. 2, 2015: Wayne Koestenbaum, TRANCE NOTEBOOK #17
Photo credit: Andrea Bellu
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Jan. 23, 2015: Lawrence Kaplun, THE ROSE
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Jan. 19, 2015: Dara Wier, A PERFECT IMITATION OF SOMETHING FAMILIAR
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Jan. 16, 2015: Dylan Furcall, JAMES DEEN
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Jan. 12, 2015: Emily Yoon, THE FIRST WOMAN TO CARESS MY NAKED BODY
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Jan. 5, 2015: Jamie Townsend, CHRIS BELL
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Dec. 15, 2014: Saretta Morgan: Two Poems
Photo Credit: Rachel Eliza Griffiths
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Dec. 8, 2014: Wendy Xu, WORK
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Jan. 24, 2014: Brandon Brown, KREWELLA, LIVE FOR THE NIGHT
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Jan. 31, 2014: CAConrad, (SOM)ATIC EXERCISE & POEM
photo credit: TC Tolbert
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Feb. 7, 2014: Camille Rankine, INSTRUCTIONS FOR MODERN GRAFFITI
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Feb. 14, 2014: Cassandra Gillig, ASHBERY REMIX
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Feb. 21, 2014: Tom Comitta, from THE CITY OF NATURE
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Feb. 28, 2014: Vanessa Place, FIRST STONE
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March 7, 2014: Emily Skillings, POEM WITH ORPHEUS
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March 14, 2014: Elizabeth Whittlesey, TRIPHASIQUE
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March 21, 2014: Shane McCrae, ON THE WHITE INVISIBILITY OF THE NATURAL WORLD
THE HOME SCHOOL 